I am a London-based Digital PR/Social Media/SEO Consultant, music producer/anorak, deep sea diver, avid cyclist, worldwide traveller and football-loving technology bod! This page functions as a kind of online scrapbook/resource featuring my favourite blog posts and news items as well as my own personal reviews and recommendations in the worlds of music, sport, travel and technology!

Sunday, 2 January 2011

Sony launches its Qriocity-powered cloud music service

Sony launches its Qriocity-powered cloud music service: "

Just in time for Christmas, Sony has launched its new cloud music service, Music Unlimited powered by Qriocity. The company is working with Omnifone on the new service, which kicks off with a catalogue of six million songs and all four major labels on board.

The service lets users play music across a range of Sony devices, including TVs, Blu-ray players and the PlayStation 3 console. It also runs on regular PCs, while Sony says it plans to make Music Unlimited available on its portable devices, and on Android-based smartphones too.

It launched today in the UK and Ireland. Other markets getting it in 2011 include the US, Canada, Germany, France, Italy, Spain, Australia and New Zealand.

There are two tiers of service. Basic costs £3.99 a month in the UK, and provides an ‘ad-free radio station’ with personalised channels, and unlimited forward-skips. The Pandora model, in other words. The Premium service costs £9.99 a month, and offers on-demand streaming, playlist creation and a range of ‘Top 100′ channels.

Users can also synchronise their existing iTunes collections and playlists into Music Unlimited, to listen to those songs across their Sony devices. Omnifone is handling the content licensing, as well as running the service itself for Sony.

Music Unlimited powered by Qriocity follows the launch earlier this year of Video On Demand powered by Qriocity, which offers streaming movies across a similar range of devices. Users get a single login if they have both services.

"

Great graffiti in Belo Horizonte

Great graffiti in Belo Horizonte: "

Graffiti / wall art

Graffiti / wall art

Graffiti / wall art

Graffiti / wall art

Graffiti / wall art

Graffiti / wall art

Graffiti / wall art

"

Record shopping

Record shopping: "

I went for a walk in search of second hand record stores here in Belo Horizonte. I found a nice CD shop, and the woman there very kindly drew me a map to a couple of good places. One of them, Mandraghora - upstairs and on the rear-facing balcony at the Edificio Central - was an absolute goldmine. Check this lot out: A Brazilian record I bought A Brazilian record I bought A Brazilian record I bought A Brazilian record I bought A Brazilian record I bought A Brazilian record I bought A Brazilian record I bought A Brazilian record I bought A Brazilian record I bought A Brazilian record I bought A Brazilian record I bought A Brazilian record I bought A Brazilian record I bought A Brazilian record I bought

"

Thursday, 16 December 2010

The Small Things That Make the Difference

The Small Things That Make the Difference: "

I’m visiting a mix on SoundCloud (this one if you care).

The top of the page looks like this:

R_co%20-%20Ivan%20Smagghe%20vs%20Andrew%20Weatherall%20-%20Get%20The%20Curse%20Podcast%20-%20May%202010%20-%20SoundCloud

Then I start playing the mix, and look what happens to my tab:

%E2%96%B6%20Ivan%20Smagghe%20vs%20Andrew%20Weatherall%20-%20Get%20The%20Curse%20Podcast%20-%20May%202010%20by%20R_co

Spot it? If not let me make it clear…

%E2%96%B6%20Ivan%20Smagghe%20vs%20Andrew%20Weatherall%20-%20Get%20The%20Curse%20Podcast%20-%20May%202010%20by%20R_co

SoundCloud have always been very good at attention to UX detail and this might seem like just a tiny little thing. But it’s actually really very good. It means that you can spot in a multitude of tabs which one is playing. Love it a lot.

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Roundtables #csdam – Pricing the Value of an Idea

Roundtables #csdam – Pricing the Value of an Idea: "

For the last couple of years we are facing an increasing pressure on rates. We are talking about hourly rates. Because that’s how we usually bill our work: On an hourly basis.

Let’s face it: There are now two pitches to win a client.

The first pitch is to the marketing team. That’s where the ideas count, the way they are executed into the different channels, how well they solve our clients problem.

Before we pop open the bottle of Champaign to celebrate our victory we are introduced to the procurement team. They have a totally different agenda. They want to buy our work as cheaply as possible. Just like a batch of screws or a set of notebooks. Comparing us to “other suppliers”, comparing the rate cards. The idea itself, the originality of our work, the quality and speed we deliver it – it’s all ignored (usually).

But the idea is the DNA of the campaign. It can be born in long ours of hard labor, it can just pop up during your morning bath – but it can then travel across the globe, be the talk of town and make the brand using it stronger and more competitive. Can you charge this on an hourly basis? Not really. It would undervalue the value created.

During our discussion we figured: When a “photographer” takes a picture for a campaign (i.e. a flower) he’s paid for the picture and the time it takes to shoot it (plus the material). Plus he charges a buyout. And that’s usually for just a year and for a specific region. If the picture should be used longer, you have to pay more. Not a fortune, but an extra charge. And if you chose to not only use it in country A but also in country B that’s also an extra charge.

If the same picture is taken by the Art Director of an agency (i.e. to make it quick – we always need to make things quick) it belongs to the client. He may use it as often and as broadly as he might chose. At least in 99% of the cases and contracts I know.

This is taken for granted – but is it fair?

In the past we as agencies did not argue on that situation because we were paid fairly on an hourly basis covering the “other” costs and allowing us to make money. But with the rate card pricing eroding further every year (because we are expected to produce cheaper every year, just like a machine – but we are humans and employ humans and no machines) this equation does not add up anymore.

So maybe we have to come up with a model where we charge for the idea itself. And for the fact that a client wants to use it. Making it clear for how long and for what area. Maybe even for what channel. If other creative industries can do it, why can’t we?

But most of all, we need to generate an appreciation for the idea itself. That it’s worthy to pay for an idea. Not for the amount of hours it takes to develop the idea. But for the idea as such. How about a campaign to communicate the value of the idea?

In the end we know: Some will charge little. Some will charge a lot. Maybe depending on the amount spent around the initial idea. Or the number of channels it spans or the timeframe it may be used. But at least we would charge for it. Separately. To give the idea itself some value back again.

Thoughts?

"

Wednesday, 15 December 2010

Mindshare & LG utilize interaction to engage consumers about 3-D TV

Mindshare & LG utilize interaction to engage consumers about 3-D TV: "Disclosure: This is, pretty obviously, client work I was involved with, but I think its an interesting option to talk about how interactivity can be leveraged for education and consumer involvement. Hopefully a bit of follow-up at the end of the campaign might give some insight on where this tech is going. As usual, opinions stated on the site are my own and not the assumed position of either "

Wednesday, 1 December 2010

Love That Gilles Peterson!

Love That Gilles Peterson!: "

Global music mastermind Gilles Peterson is a force to be reckoned with. Discover unchartered musical territory in his wonderful 'Worldwide international' Mix.

DOWNLOAD IT HERE

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